Maxioms by Bille August
I like the vulnerability, the naked face. And then, of course, I hadn't done a contemporary story in 3 or read more
I like the vulnerability, the naked face. And then, of course, I hadn't done a contemporary story in 3 or 4 films, so that also interested me.
I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because read more
I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don't watch television myself. I'm into movies.
She is also brought to a point of zero in the beginning of the story, and I think you can read more
She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film.
From the beginning, we were prepared, we know how we would shoot and cut the two versions.
From the beginning, we were prepared, we know how we would shoot and cut the two versions.
I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get read more
I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts.