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Child abuse does not go away, but 90 percent of child abuse is preventable,
Child abuse does not go away, but 90 percent of child abuse is preventable,
They're just making smart investments because they know people are coming. They have the money, and they saw a hot read more
They're just making smart investments because they know people are coming. They have the money, and they saw a hot market, so it was easy for them to step in in a big way.
Love is what enables us to bridge the gap of disappointment when others don't live up to the expectations we read more
Love is what enables us to bridge the gap of disappointment when others don't live up to the expectations we have of them.
From the corporate perspective, open source is a means, not an end, and if you confuse those you're going to read more
From the corporate perspective, open source is a means, not an end, and if you confuse those you're going to have problems.
That was an incredible challenge, ... Though the lack of development was one of the greatest assets for Lost - read more
That was an incredible challenge, ... Though the lack of development was one of the greatest assets for Lost - we didn't have time to second-guess what we were doing and sanitise it into a more middle-ground story. When it aired it ended up getting three times the audience they expected. It was mind-numbing - I just couldn't believe it.
William Eggleston in the Real World
William Eggleston in the Real World
Wages are 70 percent of the cost of production. That puts pressure on the cost structure of business, and the read more
Wages are 70 percent of the cost of production. That puts pressure on the cost structure of business, and the propensity is to increase consumer prices.
Success is sweet and sweeter if long delayed and gotten through many struggles and defeats.
Success is sweet and sweeter if long delayed and gotten through many struggles and defeats.
I mean simply to say that I want my characters to suggest the background in themselves, even when it is read more
I mean simply to say that I want my characters to suggest the background in themselves, even when it is not visible. I want them to be so powerfully realized that we cannot imagine them apart from their physical and social context even when we see them in empty space.