C.S. Lewis

You are never too old to set another goal or to dream a new dream.

You are never too old to set another goal or to dream a new dream.

Commemoration of Wilfrid, Abbot of Ripon, Bishop of York, Missionary, 709 Commemoration of Elizabeth Fry, Prison Reformer, 1845 read more

Commemoration of Wilfrid, Abbot of Ripon, Bishop of York, Missionary, 709 Commemoration of Elizabeth Fry, Prison Reformer, 1845 No nation, and few individuals, are really brought into [God's] camp by the historical study of the biography of Jesus, simply as biography. Indeed, materials for a full biography have been withheld from men. The earliest converts were converted by a single historical fact (the Resurrection) and a single theological doctrine (the Redemption) operating on a sense of win which they already had... The "Gospels" came later and were written not to make Christians but to edify Christians already made.

Feast of the Birth of John the Baptist Continuing a short series on authenticity: There, right in the read more

Feast of the Birth of John the Baptist Continuing a short series on authenticity: There, right in the middle of our lives, is that which satisfies the craving for inequality, and acts as a permanent reminder that medicine is not food. Hence a man's reaction to Monarchy is a kind of test. Monarchy can easily be "debunked"; but watch the faces, mark well the accents, of the debunkers. These are the men whose tap-root in Eden has been cut: whom no rumour of the polyphony, the dance, can reach -- men to whom pebbles laid in a row are more beautiful than an arch. Yet even if they desire mere equality, they cannot reach it. Where men are forbidden to honour a king, they honour millionaires, athletes, or film-stars instead: even famous prostitutes or gangsters. For spiritual nature, like bodily nature, will be served; deny it food and it will gobble poison.

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can read more

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?

Telling us to obey instinct is like telling us to obey "people." People say different things: so do instincts. Our read more

Telling us to obey instinct is like telling us to obey "people." People say different things: so do instincts. Our instincts are at war.... Each instinct, if you listen to it, will claim to be gratified at the expense of the rest....