Debbie Allen

Then you give your actors broad strokes based on what your idea is for what is going on in the read more

Then you give your actors broad strokes based on what your idea is for what is going on in the room and the circumstances surrounding it.

You want fame? ... Well, fame costs. And right here is where you start paying. With sweat.

You want fame? ... Well, fame costs. And right here is where you start paying. With sweat.

I basically shoot the movie the way I think it should be cut, so my directives to the editor are read more

I basically shoot the movie the way I think it should be cut, so my directives to the editor are in the camera.

We could have done this movie very differently had we shot on the streets of Harlem and taken a 40-day read more

We could have done this movie very differently had we shot on the streets of Harlem and taken a 40-day shooting schedule.

The look of the movie has a kind a muted tone to it at first, and then we introduce color read more

The look of the movie has a kind a muted tone to it at first, and then we introduce color to it as we go along.