George Gordon Noel Byron

Sweet is revenge--especially to women.

Sweet is revenge--especially to women.

What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some read more

What is the end of Fame? 'tis but to fill
A certain portion of uncertain paper:
Some liken it to climbing up a hill,
Whose summit, like all hills, is lost in vapour:
For this men write, speak, preach, and heroes kill,
And bards burn what they call their "midnight taper,"
To have, when the original is dust,
A name, a wretched picture, and worse bust.

Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, read more

Farce follow'd Comedy, and reach'd her prime.
In ever-laughing Foote's fantastic time;
Mad wag! who pardon'd none, nor spared the best,
And turn'd some very serious things to jest.
Nor church nor state escaped his public sneers,
Arms nor the gown, priests, lawyers, volunteers;
"Alas, poor Yorick!" now forever mute!
Whoever loves a laugh must sigh for Foote.
We smile, perforce, when histrionic scenes
Ape the swoln dialogue of kings and queens,
When "Chrononhotonthelogos must die,"
And Arthur struts in mimic majesty.

Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm against the wind.

Yet, Freedom! yet thy banner, torn, but flying,
Streams like the thunder-storm against the wind.

A change came o'er the spirit of my dream.

A change came o'er the spirit of my dream.