C.S. Lewis

Feast of the Conversion of Paul If I say to you that no one has time to finish, that read more

Feast of the Conversion of Paul If I say to you that no one has time to finish, that the longest human life leaves a man, in any branch of learning, a beginner, I shall seem to you to be saying something quite academic and theoretical. You would be surprised if you knew how soon one begins to feel the shortness of the tether: of how many things, even in middle life, we have to say, "No time for that", "Too late now" and "Not for me". But Nature herself forbids you [young people] to share that experience. A more Christian attitude, which can be attained at any age, is that of leaving futurity in God's hands. We may as well, for God will certainly retain it whether we leave it to Him or not.

Some day you will be old enough to start reading fairy tales again.

Some day you will be old enough to start reading fairy tales again.

Feast of Irenæus, Bishop of Lyons, Teacher, Martyr, c.200 We must never speak to simple, excitable people about "the read more

Feast of Irenæus, Bishop of Lyons, Teacher, Martyr, c.200 We must never speak to simple, excitable people about "the Day" without emphasizing again and again the utter impossibility of prediction. We must try to show them that that impossibility is an essential part of the doctrine. If you do not believe our Lord's words, why do you believe in His return at all? And if you do believe them, must you not put away from you, utterly and forever, any hope of dating that return?

Which of the religions of the world gives to its followers the greatest happiness? While it lasts, the religion of read more

Which of the religions of the world gives to its followers the greatest happiness? While it lasts, the religion of worshiping oneself is best

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can read more

Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?