C.S. Lewis

C. S. Lewis Centennial Holding [the Way of Affirmation], we see that every created thing is, in its degree, read more

C. S. Lewis Centennial Holding [the Way of Affirmation], we see that every created thing is, in its degree, an image of God, and the ordinate and faithful appreciation of that thing a clue, which, truly followed, will lead back to Him. Holding [the Way of Rejection], we see that every created thing, the highest devotion to moral duty, the purest conjugal love, the saint and the seraph, is no more than an image; that every one of them, followed for its own sake and isolated from its source, becomes an idol whose service is damnation.

Feast of English Saints & Martyrs of the Reformation We must not encourage in ourselves or others any tendency read more

Feast of English Saints & Martyrs of the Reformation We must not encourage in ourselves or others any tendency to work up a subjective state which, if we succeeded, we should describe as "faith", with the idea that this will somehow ensure the granting of our prayer. We have probably all done this as children. But the state of mind which desperate desire working on a strong imagination can manufacture is not faith in the Christian sense. It is a feat of psychological gymnastics.

Continuing a Lenten series on prayer: The primary object of prayer is to know God better; we and our read more

Continuing a Lenten series on prayer: The primary object of prayer is to know God better; we and our needs should come second. ... The Notebooks of Florence Allshorn March 16, 2000 Continuing a Lenten series on prayer: I have called my material surroundings a stage set. In this I can act. And you may well say "act". For what I call "myself" (for all practical, everyday purposes) is also a dramatic construction; memories, glimpses in the shavinglass, and snatches of the very fallible activity called "introspection", are the principal ingredients. Normally I call this construction "me"' and the stage set "the real world". Now the moment of prayer is for me -- or involves for me as its condition -- the awareness, the reawakened awareness, that this "real world" and "real self" are very far from being rock-bottom realities. I cannot, in the flesh, leave the stage, either to go behind the scenes or to take my seat in the pit; but I can remember that these regions exist. And I also remember that my apparent self -- this clown or hero or super -- under his grease-paint is a real person with an off-stage life. The dramatic person could not tread the stage unless he concealed a real person: unless the real and unknown I existed, I would not even make mistakes about the imagined me. And in prayer this real I struggles to speak, for once, from his real being, and to address, for once, not the other actors, but -- what shall I call Him? The Author, for He invented us all? The Producer, for He controls all? Or the Audience, for He watches, and will judge, the performance?

I sometimes wonder whether all pleasures are not substitutes for joy.

I sometimes wonder whether all pleasures are not substitutes for joy.

Commemoration of Wilfrid, Abbot of Ripon, Bishop of York, Missionary, 709 Commemoration of Elizabeth Fry, Prison Reformer, 1845 read more

Commemoration of Wilfrid, Abbot of Ripon, Bishop of York, Missionary, 709 Commemoration of Elizabeth Fry, Prison Reformer, 1845 No nation, and few individuals, are really brought into [God's] camp by the historical study of the biography of Jesus, simply as biography. Indeed, materials for a full biography have been withheld from men. The earliest converts were converted by a single historical fact (the Resurrection) and a single theological doctrine (the Redemption) operating on a sense of win which they already had... The "Gospels" came later and were written not to make Christians but to edify Christians already made.