And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say read more

And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say right well,
With emphasis, and also with good sense--
A thing in footing indispensable:
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.

Come and trip it as ye go,
On the light fantastic toe.

Come and trip it as ye go,
On the light fantastic toe.

Those who danced were thought to be quite insane by those who could not hear the music.

Those who danced were thought to be quite insane by those who could not hear the music.

To brisk notes in cadence beating
Glance their many-twinkling feet.

To brisk notes in cadence beating
Glance their many-twinkling feet.

Dancing in the chequer'd shade.

Dancing in the chequer'd shade.

Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
read more

Such pains, such pleasures now alike are o'er,
And beaus and etiquette shall soon exist no more
At their speed behold advancing
Modern men and women dancing;
Step and dress alike express
Above, below from heel to toe,
Male and female awkwardness.
Without a hoop, without a ruffle,
One eternal jig and shuffle,
Where's the air and where's the gait?
Where's the feather in the hat?
Where the frizzed toupee? and where
Oh! where's the powder for the hair?

Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine read more

Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And hock itself be less esteem'd than thee.

He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards read more

He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing His African children with slavery,
Since all who take part in a waltz or cotillon
Are mounted for hell on the devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes.

Those who hear not the music think the dancers mad

Those who hear not the music think the dancers mad