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You've got to remember that this is what you play for all your life, and being on the big show, read more
You've got to remember that this is what you play for all your life, and being on the big show, you've got to keep trying, ... This is my first time playing the course and even if I don't make the cut, I want to play as good as I can for next year.
A long-term solution is creating a more market-driven terrorism insurance market in the sale of catastrophe risk bonds with some read more
A long-term solution is creating a more market-driven terrorism insurance market in the sale of catastrophe risk bonds with some presence of the government backing up insurers.
It's very treacherous. ... It's better to wait until conditions are better.
It's very treacherous. ... It's better to wait until conditions are better.
I miss reading . . . how I'm situated, you can't read, you just can't, it's not conducive to reading.
I miss reading . . . how I'm situated, you can't read, you just can't, it's not conducive to reading.
There were some concerns out in the public. I wouldn't call it an outcry, but there were some concerns expressed.
There were some concerns out in the public. I wouldn't call it an outcry, but there were some concerns expressed.
For the most part we know what we're getting into, but we may get there and realize there's more to read more
For the most part we know what we're getting into, but we may get there and realize there's more to it. The great thing about [Jo] is that she can take what's thrown her way and handle it.
What people really want in the theater is fantasy involvement and not reality involvement.
What people really want in the theater is fantasy involvement and not reality involvement.
That's our job -- to come in the game, bring energy and change the tempo of the game.
That's our job -- to come in the game, bring energy and change the tempo of the game.
A scene has to have a rhythm of its own, a structure of its own.
A scene has to have a rhythm of its own, a structure of its own.