From the late Classical period and more so in Romantic and Modern opera, the weight settled into the orchestra, with the voices as a free obbligato above it, ... That just drives me crazy. I want the vocal line to be as much the core as the bass line. I want to create the illusion that the voice generates harmony, color, line, everything.
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For a grown man with a fully developed personality, try as you might, it's hard to start acting like a different person.
You cannot do that through acquisitions alone. The real engine of growth is the core businesses themselves.
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