The fellow mixes blood with his colors.

The fellow mixes blood with his colors.

Are we to paint what's on the face, what's inside the face, or what's behind it?

Are we to paint what's on the face, what's inside the face, or what's behind it?

From the mingled strength of shade and light
A new creation rises to my sight,
Such heav'nly read more

From the mingled strength of shade and light
A new creation rises to my sight,
Such heav'nly figures from his pencil flow,
So warm with light his blended colors glow.
. . . .
The glowing portraits, fresh from life, that bring
Home to our hearts the truth from which they spring.

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure read more

I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream

He paints a dolphin in the woods, a boar in the waves.
[Lat., Delphinum sylvis appingit, fluctibus aprum.]

He paints a dolphin in the woods, a boar in the waves.
[Lat., Delphinum sylvis appingit, fluctibus aprum.]

One picture in ten thousand, perhaps, ought to live in the
applause of mankind, from generation to generation until read more

One picture in ten thousand, perhaps, ought to live in the
applause of mankind, from generation to generation until the
colors fade and blacken out of sight or the canvas rot entirely
away.

Hard features every bungler can command:
To draw true beauty shows a master's hand.

Hard features every bungler can command:
To draw true beauty shows a master's hand.

The picture that approaches sculpture nearest
Is the best picture.

The picture that approaches sculpture nearest
Is the best picture.

Pictures must not be too picturesque.

Pictures must not be too picturesque.