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How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in read more
How sweet the moonlight sleeps upon this bank! Here we will sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There 's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins. Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it. -The Merchant of Venice. Act. v. Sc. 1.
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains read more
Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff: you shall seek all day ere you find them, and when you have them, they are not worth the search. -The Merchant of Venice. Act i. Sc. 1.
Praising what is lost Makes the remembrance dear. -All 's Well that Ends Well. Act v. Sc. 3.
Praising what is lost Makes the remembrance dear. -All 's Well that Ends Well. Act v. Sc. 3.
Let the world slide. -The Taming of the Shrew. Induc. Sc. 1.
Let the world slide. -The Taming of the Shrew. Induc. Sc. 1.
There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.
There is occasions and causes why and wherefore in all things. -King Henry V. Act v. Sc. 1.
For there was never yet philosopher That could endure the toothache patiently. -Much Ado about Nothing. Act v. Sc. 1.
For there was never yet philosopher That could endure the toothache patiently. -Much Ado about Nothing. Act v. Sc. 1.
Rich honesty dwells like a miser, sir, in a poor house; as your pearl in your foul oyster. -As You read more
Rich honesty dwells like a miser, sir, in a poor house; as your pearl in your foul oyster. -As You Like It. Act v. Sc. 4.
Past and to come seems best; things present worst. -King Henry IV. Part II. Act i. Sc. 3.
Past and to come seems best; things present worst. -King Henry IV. Part II. Act i. Sc. 3.
He does it with a better grace, but I do it more natural. -Twelfth Night. Act ii. Sc. 3.
He does it with a better grace, but I do it more natural. -Twelfth Night. Act ii. Sc. 3.
