When we mean to build, We first survey the plot, then draw the model; And when we see the figure read more

When we mean to build, We first survey the plot, then draw the model; And when we see the figure of the house, Then must we rate the cost of the erection. -King Henry IV. Part II. Act i. Sc. 3.

Play out the play. -King Henry IV. Part I. Act ii. Sc. 4.

Play out the play. -King Henry IV. Part I. Act ii. Sc. 4.

Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his read more

Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his own lie. -The Tempest. Act i. Sc. 2.

From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, read more

From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world. -Love's Labour 's Lost. Act iv. Sc. 3.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

It is a familiar beast to man, and signifies love. -The Merry Wives of Windsor. Act i. Sc. 1.

It is a familiar beast to man, and signifies love. -The Merry Wives of Windsor. Act i. Sc. 1.

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. read more

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. 4.

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. read more

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. 2.

A very beadle to a humorous sigh. -Love's Labour 's Lost. Act iii. Sc. 1.

A very beadle to a humorous sigh. -Love's Labour 's Lost. Act iii. Sc. 1.