To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen read more

To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen guest. -King Henry IV. Part I. Act iv. Sc. 2.

I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat read more

I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat away those blushes. -Much Ado about Nothing. Act iv. Sc. 1.

For courage mounteth with occasion. -King John. Act ii. Sc. 1.

For courage mounteth with occasion. -King John. Act ii. Sc. 1.

The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.

The common curse of mankind,—folly and ignorance. -Troilus and Cressida. Act ii. Sc. 3.

Must I hold a candle to my shames? -The Merchant of Venice. Act ii. Sc. 6.

Must I hold a candle to my shames? -The Merchant of Venice. Act ii. Sc. 6.

I remember, the players have often mentioned it as an honour to
Shakespeare, that in his writing (whatsoever he read more

I remember, the players have often mentioned it as an honour to
Shakespeare, that in his writing (whatsoever he penned) he never
plotted out a line. My answer hath been, would he had blotted a
thousand.

So curses all Eve's daughters, of what complexion soever. -The Merry Wives of Windsor. Act iv. Sc. 2.

So curses all Eve's daughters, of what complexion soever. -The Merry Wives of Windsor. Act iv. Sc. 2.

Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.

Exceedingly well read. -King Henry IV. Part I. Act iii. Sc. 1.

The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.

The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.