A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act read more

A woman moved is like a fountain troubled,— Muddy, ill-seeming, thick, bereft of beauty. -The Taming of the Shrew. Act v. Sc. 2.

O sleep, O gentle sleep, Nature's soft nurse! how have I frighted thee, That thou no more wilt weigh my read more

O sleep, O gentle sleep, Nature's soft nurse! how have I frighted thee, That thou no more wilt weigh my eyelids down And steep my senses in forgetfulness? -King Henry IV. Part II. Act iii. Sc. 1.

This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

This is very midsummer madness. -Twelfth Night. Act iii. Sc. 4.

I do know of these That therefore only are reputed wise For saying nothing. -The Merchant of Venice. Act i. read more

I do know of these That therefore only are reputed wise For saying nothing. -The Merchant of Venice. Act i. Sc. 1.

Oppress'd with two weak evils, age and hunger. -As You Like It. Act ii. Sc. 7.

Oppress'd with two weak evils, age and hunger. -As You Like It. Act ii. Sc. 7.

My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me read more

My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. -King Richard III. Act v. Sc. 3.

And wiped our eyes Of drops that sacred pity hath engender'd. -As You Like It. Act ii. Sc. 7.

And wiped our eyes Of drops that sacred pity hath engender'd. -As You Like It. Act ii. Sc. 7.

Diana's foresters, gentlemen of the shade, minions of the moon. -King Henry IV. Part I. Act i. Sc. 2.

Diana's foresters, gentlemen of the shade, minions of the moon. -King Henry IV. Part I. Act i. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.