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A Corinthian, a lad of mettle, a good boy. -King Henry IV. Part I. Act ii. Sc. 4.
A Corinthian, a lad of mettle, a good boy. -King Henry IV. Part I. Act ii. Sc. 4.
A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.
A young man married is a man that 's marr'd. -All 's Well that Ends Well. Act ii. Sc. 3.
He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. read more
He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. -The Two Gentleman of Verona. Act ii. Sc. 7.
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more
In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.
Truth hath a quiet breast. -King Richard II. Act i. Sc. 3.
Truth hath a quiet breast. -King Richard II. Act i. Sc. 3.
Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.
Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.
A load would sink a navy. -King Henry VIII. Act iii. Sc. 2.
A load would sink a navy. -King Henry VIII. Act iii. Sc. 2.
This passion, and the death of a dear friend, would go near to make a man look sad. -A Midsummer read more
This passion, and the death of a dear friend, would go near to make a man look sad. -A Midsummer Night's Dream. Act v. Sc. 1.
The blood more stirs To rouse a lion than to start a hare! -King Henry IV. Part I. Act i. read more
The blood more stirs To rouse a lion than to start a hare! -King Henry IV. Part I. Act i. Sc. 3.
