I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. read more

I am Sir Oracle, And when I ope my lips, let no dog bark! -The Merchant of Venice. Act i. Sc. 1.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

Condemn the fault, and not the actor of it? -Measure for Measure. Act ii. Sc. 2.

There are a sort of men whose visages Do cream and mantle like a standing pond. -The Merchant of Venice. read more

There are a sort of men whose visages Do cream and mantle like a standing pond. -The Merchant of Venice. Act i. Sc. 1.

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. read more

When Fortune means to men most good, She looks upon them with a threatening eye. -King John. Act iii. Sc. 4.

I had rather than forty shillings I had my Book of Songs and Sonnets here. -The Merry Wives of Windsor. read more

I had rather than forty shillings I had my Book of Songs and Sonnets here. -The Merry Wives of Windsor. Act i. Sc. 1.

Fill all thy bones with aches. -The Tempest. Act i. Sc. 2.

Fill all thy bones with aches. -The Tempest. Act i. Sc. 2.

Tush! tush! fear boys with bugs. -The Taming of the Shrew. Act i. Sc. 2.

Tush! tush! fear boys with bugs. -The Taming of the Shrew. Act i. Sc. 2.

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. read more

In the posteriors of this day, which the rude multitude call the afternoon. -Love's Labour 's Lost. Act v. Sc. 1.

Makes a swan-like end, Fading in music. -The Merchant of Venice. Act iii. Sc. 2.

Makes a swan-like end, Fading in music. -The Merchant of Venice. Act iii. Sc. 2.