All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

And the imperial votaress passed on, In maiden meditation, fancy-free. Yet mark'd I where the bolt of Cupid fell: It read more

And the imperial votaress passed on, In maiden meditation, fancy-free. Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness. -A Midsummer Night's Dream. Act ii. Sc. 1.

To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or read more

To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful and ridiculous excess. -King John. Act iv. Sc. 2.

O jest unseen, inscrutable, invisible, As a nose on a man's face, or a weathercock on a steeple. -The Two read more

O jest unseen, inscrutable, invisible, As a nose on a man's face, or a weathercock on a steeple. -The Two Gentleman of Verona. Act ii. Sc. 1.

Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.

Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.

Thou wear a lion's hide! doff it for shame, And hang a calf's-skin on those recreant limbs. -King John. Act read more

Thou wear a lion's hide! doff it for shame, And hang a calf's-skin on those recreant limbs. -King John. Act iii. Sc. 1.

All hell shall stir for this. -King Henry V. Act v. Sc. 1.

All hell shall stir for this. -King Henry V. Act v. Sc. 1.

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The read more

My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The Merchant of Venice. Act i. Sc. 3.

Uneasy lies the head that wears a crown. -King Henry IV. Part II. Act iii. Sc. 1.

Uneasy lies the head that wears a crown. -King Henry IV. Part II. Act iii. Sc. 1.