Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.

Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.

And as the soldiers bore dead bodies by, He called them untaught knaves, unmannerly, To bring a slovenly unhandsome corse read more

And as the soldiers bore dead bodies by, He called them untaught knaves, unmannerly, To bring a slovenly unhandsome corse Betwixt the wind and his nobility. -King Henry IV. Part I. Act i. Sc. 3.

That unlettered small-knowing soul. -Love's Labour 's Lost. Act i. Sc. 1.

That unlettered small-knowing soul. -Love's Labour 's Lost. Act i. Sc. 1.

Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter: that read more

Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter: that when he speaks, The air, a chartered libertine, is still. -King Henry V. Act i. Sc. 1.

Done to death by slanderous tongues. -Much Ado about Nothing. Act v. Sc. 3.

Done to death by slanderous tongues. -Much Ado about Nothing. Act v. Sc. 3.

Thou hast damnable iteration, and art indeed able to corrupt a saint. -King Henry IV. Part I. Act i. Sc. read more

Thou hast damnable iteration, and art indeed able to corrupt a saint. -King Henry IV. Part I. Act i. Sc. 2.

Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.

Their lips were four red roses on a stalk. -King Richard III. Act iv. Sc. 3.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

Our compell'd sins Stand more for number than for accompt. -Measure for Measure. Act ii. Sc. 4.

When great poets sing,
Into the night new constellations spring,
With music in the air that dulls read more

When great poets sing,
Into the night new constellations spring,
With music in the air that dulls the craft
Of rhetoric. So when Shakespeare sang or laughed
The world with long, sweet Alpine echoes thrilled
Voiceless to scholars' tongues no muse had filled
With melody divine.