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I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat read more
I have mark'd A thousand blushing apparitions To start into her face, a thousand innocent shames In angel whiteness beat away those blushes. -Much Ado about Nothing. Act iv. Sc. 1.
We are ready to try our fortunes To the last man. -King Henry IV. Part II. Act iv. Sc. 2.
We are ready to try our fortunes To the last man. -King Henry IV. Part II. Act iv. Sc. 2.
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for read more
The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. -The Merchant of Venice. Act. v. Sc. 1.
They say, best men are moulded out of faults, And, for the most, become much more the better For being read more
They say, best men are moulded out of faults, And, for the most, become much more the better For being a little bad. -Measure for Measure. Act v. Sc. 1.
An you had any eye behind you, you might see more detraction at your heels than fortunes before you. -Twelfth read more
An you had any eye behind you, you might see more detraction at your heels than fortunes before you. -Twelfth Night. Act ii. Sc. 5.
Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.
Speak me fair in death. -The Merchant of Venice. Act iv. Sc. 1.
It adds a precious seeing to the eye. -Love's Labour 's Lost. Act iv. Sc. 3.
It adds a precious seeing to the eye. -Love's Labour 's Lost. Act iv. Sc. 3.
Off with his head! -King Richard III. Act iii. Sc. 4.
Off with his head! -King Richard III. Act iii. Sc. 4.
