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    All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

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  9  /  6  

Smooth runs the water where the brook is deep. -King Henry VI. Part II. Act iii. Sc. 1.

Smooth runs the water where the brook is deep. -King Henry VI. Part II. Act iii. Sc. 1.

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  14  /  8  

Friendship is constant in all other things Save in the office and affairs of love: Therefore all hearts in love read more

Friendship is constant in all other things Save in the office and affairs of love: Therefore all hearts in love use their own tongues; Let every eye negotiate for itself And trust no agent. -Much Ado about Nothing. Act ii. Sc. 1.

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  4  /  8  

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. read more

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. Sc. 4.

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  9  /  8  

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

I thank thee, Jew, for teaching me that word. -The Merchant of Venice. Act iv. Sc. 1.

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  11  /  17  

The end crowns all, And that old common arbitrator, Time, Will one day end it. -Troilus and Cressida. Act iv. read more

The end crowns all, And that old common arbitrator, Time, Will one day end it. -Troilus and Cressida. Act iv. Sc. 5.

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  10  /  6  

A goodly apple rotten at the heart: O, what a goodly outside falsehood hath! -The Merchant of Venice. Act i. read more

A goodly apple rotten at the heart: O, what a goodly outside falsehood hath! -The Merchant of Venice. Act i. Sc. 3.

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  8  /  15  

'T is but the fate of place, and the rough brake That virtue must go through. -King Henry VIII. Act read more

'T is but the fate of place, and the rough brake That virtue must go through. -King Henry VIII. Act i. Sc. 2.

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  4  /  11  

In his old lunes again. -The Merry Wives of Windsor. Act iv. Sc. 2.

In his old lunes again. -The Merry Wives of Windsor. Act iv. Sc. 2.

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  3  /  4  

For ever and a day. -As You Like It. Act iv. Sc. 1.

For ever and a day. -As You Like It. Act iv. Sc. 1.

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