And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, read more

And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, so it was, This villanous saltpetre should be digg'd Out of the bowels of the harmless earth, Which many a good tall fellow had destroy'd So cowardly; and but for these vile guns, He would himself have been a soldier. -King Henry IV. Part I. Act i. Sc. 3.

Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set read more

Honour pricks me on. Yea, but how if honour prick me off when I come on,—how then? Can honour set to a leg? no: or an arm? no: or take away the grief of a wound? no. Honour hath no skill in surgery, then? no. What is honour? a word. What is in that word honour; what is that honour? air. A trim reckoning! Who hath it? he that died o' Wednesday. Doth he feel it? no. Doth he hear it? no. 'T is insensible, then? yea, to the dead. But will it not live with the living? no. Why? detraction will not suffer it. Therefore I 'll none of it. Honour is a mere scutcheon. And so ends my catechism. -King Henry IV. Part I. Act v. Sc. 1.

Gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he read more

Gave His body to that pleasant country's earth, And his pure soul unto his captain Christ, Under whose colours he had fought so long. -King Richard II. Act iv. Sc. 1.

He was not of an age, but for all time!
And all the Muses still were in their prime,
read more

He was not of an age, but for all time!
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm!

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

I know that Deformed. -Much Ado about Nothing. Act iii. Sc. 3.

I 'll purge, and leave sack, and live cleanly. -King Henry IV. Part I. Act v. Sc. 4.

I 'll purge, and leave sack, and live cleanly. -King Henry IV. Part I. Act v. Sc. 4.

For where is any author in the world Teaches such beauty as a woman's eye? Learning is but an adjunct read more

For where is any author in the world Teaches such beauty as a woman's eye? Learning is but an adjunct to ourself. -Love's Labour 's Lost. Act iv. Sc. 3.

Think of that, Master Brook. -The Merry Wives of Windsor. Act iii. Sc. 5.

Think of that, Master Brook. -The Merry Wives of Windsor. Act iii. Sc. 5.