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Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.
Many a time and oft In the Rialto you have rated me. -The Merchant of Venice. Act i. Sc. 3.
I have touched the highest point of all my greatness; And from that full meridian of my glory I haste read more
I have touched the highest point of all my greatness; And from that full meridian of my glory I haste now to my setting: I shall fall Like a bright exhalation in the evening, And no man see me more. -King Henry VIII. Act iii. Sc. 2.
He hath indeed better bettered expectation. -Much Ado about Nothing. Act i. Sc. 1.
He hath indeed better bettered expectation. -Much Ado about Nothing. Act i. Sc. 1.
If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. read more
If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. Sc. 4.
How now, foolish rheum! -King John. Act iv. Sc. 1.
How now, foolish rheum! -King John. Act iv. Sc. 1.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
I would the gods had made thee poetical. -As You Like It. Act iii. Sc. 2.
I would the gods had made thee poetical. -As You Like It. Act iii. Sc. 2.
Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.
Every why hath a wherefore. -The Comedy of Errors. Act ii. Sc. 2.
