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'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
Shall I bend low, and in a bondman's key, With bated breath and whispering humbleness. -The Merchant of Venice. Act read more
Shall I bend low, and in a bondman's key, With bated breath and whispering humbleness. -The Merchant of Venice. Act i. Sc. 3.
Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his read more
Like one Who having into truth, by telling of it, Made such a sinner of his memory, To credit his own lie. -The Tempest. Act i. Sc. 2.
He does it with a better grace, but I do it more natural. -Twelfth Night. Act ii. Sc. 3.
He does it with a better grace, but I do it more natural. -Twelfth Night. Act ii. Sc. 3.
Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.
Sits the wind in that corner? -Much Ado about Nothing. Act ii. Sc. 3.
And if it please you, so; if not, why, so. -The Two Gentleman of Verona. Act ii. Sc. 1.
And if it please you, so; if not, why, so. -The Two Gentleman of Verona. Act ii. Sc. 1.
Talks as familiarly of roaring lions As maids of thirteen do of puppy-dogs! -King John. Act ii. Sc. 1.
Talks as familiarly of roaring lions As maids of thirteen do of puppy-dogs! -King John. Act ii. Sc. 1.
In rage deaf as the sea, hasty as fire. -King Richard II. Act i. Sc. 1.
In rage deaf as the sea, hasty as fire. -King Richard II. Act i. Sc. 1.
The Retort Courteous;… the Quip Modest;… the Reply Churlish;… the Reproof Valiant;… the Countercheck Quarrelsome;… the Lie with Circumstance;… the read more
The Retort Courteous;… the Quip Modest;… the Reply Churlish;… the Reproof Valiant;… the Countercheck Quarrelsome;… the Lie with Circumstance;… the Lie Direct. -As You Like It. Act v. Sc. 4.
