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'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.

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  6  /  10  

A very gentle beast, and of a good conscience. -A Midsummer Night's Dream. Act v. Sc. 1.

A very gentle beast, and of a good conscience. -A Midsummer Night's Dream. Act v. Sc. 1.

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  8  /  9  

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

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Some Cupid kills with arrows, some with traps. -Much Ado about Nothing. Act iii. Sc. 1.

Some Cupid kills with arrows, some with traps. -Much Ado about Nothing. Act iii. Sc. 1.

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To sell a bargain well is as cunning as fast and loose. -Love's Labour 's Lost. Act iii. Sc. 1.

To sell a bargain well is as cunning as fast and loose. -Love's Labour 's Lost. Act iii. Sc. 1.

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It adds a precious seeing to the eye. -Love's Labour 's Lost. Act iv. Sc. 3.

It adds a precious seeing to the eye. -Love's Labour 's Lost. Act iv. Sc. 3.

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Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.

Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.

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  11  /  12  

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. read more

I, thus neglecting worldly ends, all dedicated To closeness and the bettering of my mind. -The Tempest. Act i. Sc. 2.

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At my fingers' ends. -Twelfth Night. Act i. Sc. 3.

At my fingers' ends. -Twelfth Night. Act i. Sc. 3.

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