Such labour'd nothings, in so strange a style.
Amaze th' learn'd, and make the learned smile.

Such labour'd nothings, in so strange a style.
Amaze th' learn'd, and make the learned smile.

Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]

Obscurity is the realm of error.
[Fr., L'obscurite est le royaume de l'erreur.]

Clearness ornaments profound thoughts.
[Fr., La clarte orne les pensees profondes.]

Clearness ornaments profound thoughts.
[Fr., La clarte orne les pensees profondes.]

When Croft's "Life of Dr. Young" was spoken of as a good
imitation of Dr. Johnson's style, "No, no," read more

When Croft's "Life of Dr. Young" was spoken of as a good
imitation of Dr. Johnson's style, "No, no," said he, "it is not a
good imitation of Johnson; it has all his pomp without his force;
it has all the nodosities of the oak, without its strength; it
has all the contortions of the sibyl, without the inspiration."

All styles are good except the tiresome kind.
[Fr., Tous les genres sont bons, hors le genre ennuyeux.]

All styles are good except the tiresome kind.
[Fr., Tous les genres sont bons, hors le genre ennuyeux.]

The style is the man.
[Fr., Le style c'est l'homme.]

The style is the man.
[Fr., Le style c'est l'homme.]

Style is knowing who you are, what you want to say, and not giving a damn.

Style is knowing who you are, what you want to say, and not giving a damn.

Style! style! why, all writers will tell you that it is the very
thing which can least of all read more

Style! style! why, all writers will tell you that it is the very
thing which can least of all be changed. A man's style is nearly
as much a part of him as his physiognomy, his figure, the
throbbing of this pulse,--in short, as any part of his being is
at least subjected to the action of the will.

Style is the perfection of a point of view

Style is the perfection of a point of view