You need three things in the theater - the play, the actors and the audience, - and each must give read more

You need three things in the theater - the play, the actors and the audience, - and each must give something

Theater is, of course, a reflection of life. Maybe we have to improve life before we can hope to improve read more

Theater is, of course, a reflection of life. Maybe we have to improve life before we can hope to improve theater.

The theater needs continual reminders that there is nothing more debasing than the work of those who do well what read more

The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends read more

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.

The primary function of a theater is not to please itself, or even to please its audience. It is to read more

The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent.

The center of the stage is where I am.

The center of the stage is where I am.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more

For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what read more

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world.