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Endearing Waltz--to thy more melting tune
Bow Irish jig, and ancient rigadoon.
Scotch reels, avaunt! and country-dance read more
Endearing Waltz--to thy more melting tune
Bow Irish jig, and ancient rigadoon.
Scotch reels, avaunt! and country-dance forego
Your future claims to each fantastic toe!
Waltz--Waltz alone--both legs and arms demands,
Liberal of feet, and lavish of her hands.
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
Others import yet nobler arts from France,
Teach kings to fiddle, and make senates dance.
And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say read more
And then he danced;--all foreigners excel
The serious Angles in the eloquence
Of pantomime;--he danced, I say right well,
With emphasis, and also with good sense--
A thing in footing indispensable:
He danced without theatrical pretence,
Not like a ballet-master in the van
Of his drill'd nymphs, but like a gentleman.
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards read more
He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing His African children with slavery,
Since all who take part in a waltz or cotillon
Are mounted for hell on the devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes.
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never read more
It's the heart afraid of breaking that never learns to dance. It is the dream afraid of waking that never takes the chance. It is the one who won't be taken who cannot seem to give. And the soul afraid of dying that never learns to live.
Dear creature!--you'd swear
When her delicate feet in the dance twinkle round,
That her steps are of read more
Dear creature!--you'd swear
When her delicate feet in the dance twinkle round,
That her steps are of light, that her home is the air,
And she only par complaisance touches the ground.
What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
read more
What! the girl I adore by another embraced?
What! the balm of her breath shall another man taste?
What! pressed in the dance by another's man's knee?
What! panting recline on another than me?
Sir, she's yours; you have pressed from the grape its fine blue,
From the rosebud you've shaken the tremulous dew;
What you've touched you may take. Pretty waltzer--adieu!
Merrily, merrily whirled the wheels of the dizzying dances
Under the orchard-trees and down the path to the meadows;
read more
Merrily, merrily whirled the wheels of the dizzying dances
Under the orchard-trees and down the path to the meadows;
Old fold and young together, and children mingled among them.
This dance of death which sounds so musically
Was sure intended for the corpse de ballet.
This dance of death which sounds so musically
Was sure intended for the corpse de ballet.