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You think him to be your dupe; if he feigns to be so who is the
greater dupe, he read more
You think him to be your dupe; if he feigns to be so who is the
greater dupe, he or you?
[Fr., Vous le croyez votre dupe: s'il feint de l'etre, qui est
plus dupe, de lui ou de vous?]
The silly when deceived exclaim loudly; the fool complains; the
honest man walks away and is silent.
[Fr., read more
The silly when deceived exclaim loudly; the fool complains; the
honest man walks away and is silent.
[Fr., Le bruit est pour le fat, la plainte pour le sot;
L'honnete homme trompe s'eloigne et ne dit mot.]
A sheep in sheep's clothing.
A sheep in sheep's clothing.
You can fool some of the people all of the time, and all of the
people some of the read more
You can fool some of the people all of the time, and all of the
people some of the time, but you cannot fool all of the people
all of the time.
Which I wish to remark--
And my language is plain,--
That for ways that are dark
read more
Which I wish to remark--
And my language is plain,--
That for ways that are dark
And for tricks that are vain,
The heathen Chinee is peculiar.
The people of the world having once been deceived, suspect deceit in truth itself.
The people of the world having once been deceived, suspect deceit in truth itself.
We never deceive for a good purpose: knavery adds malice to
falsehood.
[Fr., On ne trompe point en read more
We never deceive for a good purpose: knavery adds malice to
falsehood.
[Fr., On ne trompe point en bien; la fourberie ajoute la malice
au mensonge.]
Falsehood is never so successful as when she baits her hook with truth, and no opinions so fastly misled us read more
Falsehood is never so successful as when she baits her hook with truth, and no opinions so fastly misled us as those that are not wholly wrong, as no timepieces so effectively deceive the wearer as those that are sometimes right.
It seems to me that there are two kinds of trickery: the "fronts" people assume before one another's eyes, and read more
It seems to me that there are two kinds of trickery: the "fronts" people assume before one another's eyes, and the "front" a writer puts on the face of reality.