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At night returning, every labour sped,
He sits him down, the monarch of a shed;
Smiles by read more
At night returning, every labour sped,
He sits him down, the monarch of a shed;
Smiles by his cheerful fire, and round surveys
His children's looks, that brighten at the blaze;
While his lov'd partner, boastful of her hoard,
Displays her cleanly platter on the board.
He is the happiest, be he king or peasant, who finds peace in his home
He is the happiest, be he king or peasant, who finds peace in his home
I am far frae my hame, an' i'm weary aften whiles,
For the longed-for hame-bringing an' my Father's welcome read more
I am far frae my hame, an' i'm weary aften whiles,
For the longed-for hame-bringing an' my Father's welcome smiles.
The house is a castle which the King cannot enter.
The house is a castle which the King cannot enter.
My house, my house, though thou art small, thou art to me the
Escuriall.
My house, my house, though thou art small, thou art to me the
Escuriall.
Home is the place where, when you have to go there, they have to take you in.
Home is the place where, when you have to go there, they have to take you in.
Construed as turf, home just seems a provisional claim, a designation you make upon a place, not one it makes read more
Construed as turf, home just seems a provisional claim, a designation you make upon a place, not one it makes on you. A certain set of buildings, a glimpsed, smudged window-view across a schoolyard, a musty aroma sniffed behind a garage when you were a child, all of which come crowding in upon your latter-day senses -- those are pungent things and vivid, even consoling. But to me they are also inert and nostalgic and unlikely to connect you to the real, to that essence art can sometimes achieve, which is permanence.
There's nobody at home
But Jumping Joan,
And father and mother and I.
There's nobody at home
But Jumping Joan,
And father and mother and I.