In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more

In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.

I take photographs with love, so I try to make them art objects. But I make them for myself first read more

I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.

Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic read more

Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic world of their own. There is a vast difference between taking a picture and making a photograph.

If the man who paints only the tree, or flower, or other surface he sees before him were an artist, read more

If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.

The Equipment you'll leave at home, you'll need the most. You're always out of film when you'll have the best read more

The Equipment you'll leave at home, you'll need the most. You're always out of film when you'll have the best opportunity.

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more

Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more

The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.

When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".

When photography was invented it was thought to be an equivalent to truth, it was truth with a capital "T".

There are always two people in every picture: the photographer and the viewer.

There are always two people in every picture: the photographer and the viewer.