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Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
To manipulate an image is to control a people
To manipulate an image is to control a people
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
Blessed be the inventor of photography! It has given more positive pleasure to poor suffering humanity than anything else that read more
Blessed be the inventor of photography! It has given more positive pleasure to poor suffering humanity than anything else that has "cast up" in my time -- this art by which even the "poor" can possess themselves of tolerable of their absent dear ones.
It is one thing to photograph people. It is another to make others care about them by revealing the core read more
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
Where there is perhaps a province in which the photograph can tell us nothing more than what we see with read more
Where there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us ro see.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the read more
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more
The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.
Photography is truth. And cinema is truth twenty-four times a second.
Photography is truth. And cinema is truth twenty-four times a second.