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The virtue of the camera is not the power it has to transform the photographer into an artist, but the read more
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional read more
I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, "This is real, too."
There are no rules for good photographs, there are only good photographs.
There are no rules for good photographs, there are only good photographs.
The camera is an instrument that teaches people how to see without a camera.
The camera is an instrument that teaches people how to see without a camera.
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, read more
If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this.
Photography is truth. And cinema is truth twenty-four times a second.
Photography is truth. And cinema is truth twenty-four times a second.
It is one thing to photograph people. It is another to make others care about them by revealing the core read more
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic read more
Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic world of their own. There is a vast difference between taking a picture and making a photograph.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.