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Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable read more
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but read more
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
You know what a camera is? A mirror with memory.
You know what a camera is? A mirror with memory.
I take photographs with love, so I try to make them art objects. But I make them for myself first read more
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
Where there is perhaps a province in which the photograph can tell us nothing more than what we see with read more
Where there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us ro see.
It takes a lot of imagination to be a good photographer. You need less imagination to be a painter, because read more
It takes a lot of imagination to be a good photographer. You need less imagination to be a painter, because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the ordinary.
There are no rules for good photographs, there are only good photographs.
There are no rules for good photographs, there are only good photographs.
There are always two people in every picture: the photographer and the viewer.
There are always two people in every picture: the photographer and the viewer.
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.