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That it shall hold companionship in peace With honour, as in war. -Coriolanus. Act iii. Sc. 2.
That it shall hold companionship in peace With honour, as in war. -Coriolanus. Act iii. Sc. 2.
How bitter a thing it is to look into happiness through another man's eyes! -As You Like It. Act v. read more
How bitter a thing it is to look into happiness through another man's eyes! -As You Like It. Act v. Sc. 2.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
'T is not for gravity to play at cherry-pit with Satan. -Twelfth Night. Act iii. Sc. 4.
Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.
Is it so nominated in the bond? -The Merchant of Venice. Act iv. Sc. 1.
Though Nestor swear the jest be laughable. -The Merchant of Venice. Act i. Sc. 1.
Though Nestor swear the jest be laughable. -The Merchant of Venice. Act i. Sc. 1.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow read more
O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon! daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phœbus in his strength,—a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one. -The Winter's Tale. Act iv. Sc. 4.
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. read more
Why should a man whose blood is warm within, Sit like his grandsire cut in alabaster? -The Merchant of Venice. Act i. Sc. 1.
Under the greenwood tree Who loves to lie with me. -As You Like It. Act ii. Sc. 5.
Under the greenwood tree Who loves to lie with me. -As You Like It. Act ii. Sc. 5.
