To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen read more

To the latter end of a fray and the beginning of a feast Fits a dull fighter and a keen guest. -King Henry IV. Part I. Act iv. Sc. 2.

Accommodated; that is, when a man is, as they say, accommodated; or when a man is, being, whereby a' may read more

Accommodated; that is, when a man is, as they say, accommodated; or when a man is, being, whereby a' may be thought to be accommodated,—which is an excellent thing. -King Henry IV. Part II. Act iii. Sc. 2.

Sir, he made a chimney in my father's house, and the bricks are alive at this day to testify it. read more

Sir, he made a chimney in my father's house, and the bricks are alive at this day to testify it. -King Henry VI. Part II. Act iv. Sc. 2.

Condemned into everlasting redemption. -Much Ado about Nothing. Act iv. Sc. 2.

Condemned into everlasting redemption. -Much Ado about Nothing. Act iv. Sc. 2.

All the world 's a stage, And all the men and women merely players. They have their exits and their read more

All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

I dote on his very absence. -The Merchant of Venice. Act i. Sc. 2.

A plague of sighing and grief! It blows a man up like a bladder. -King Henry IV. Part I. Act read more

A plague of sighing and grief! It blows a man up like a bladder. -King Henry IV. Part I. Act ii. Sc. 4.

I hold the world but as the world, Gratiano,— A stage, where every man must play a part; And mine read more

I hold the world but as the world, Gratiano,— A stage, where every man must play a part; And mine a sad one. -The Merchant of Venice. Act i. Sc. 1.

Good orators, when they are out, they will spit. -As You Like It. Act iv. Sc. 1.

Good orators, when they are out, they will spit. -As You Like It. Act iv. Sc. 1.