He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. read more

He makes sweet music with th' enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage. -The Two Gentleman of Verona. Act ii. Sc. 7.

Now my soul hath elbow-room. -King John. Act v. Sc. 7.

Now my soul hath elbow-room. -King John. Act v. Sc. 7.

Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the read more

Lie ten nights awake, carving the fashion of a new doublet. He was wont to speak plain and to the purpose. -Much Ado about Nothing. Act ii. Sc. 3.

This is the very false gallop of verses. -As You Like It. Act iii. Sc. 2.

This is the very false gallop of verses. -As You Like It. Act iii. Sc. 2.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

O, hell! to choose love by another's eyes. -A Midsummer Night's Dream. Act i. Sc. 1.

O, hell! to choose love by another's eyes. -A Midsummer Night's Dream. Act i. Sc. 1.

He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

He hath eaten me out of house and home. -King Henry IV. Part II. Act ii. Sc. 1.

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. read more

Now would I give a thousand furlongs of sea for an acre of barren ground. -The Tempest. Act i. Sc. 1.

His heart and hand both open and both free; For what he has he gives, what thinks he shows; Yet read more

His heart and hand both open and both free; For what he has he gives, what thinks he shows; Yet gives he not till judgment guide his bounty. -Troilus and Cressida. Act iv. Sc. 5.