The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.

The tongues of dying men Enforce attention like deep harmony. -King Richard II. Act ii. Sc. 1.

Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.

Framed in the prodigality of nature. -King Richard III. Act i. Sc. 2.

For aught that I could ever read, Could ever hear by tale or history, The course of true love never read more

For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth. -A Midsummer Night's Dream. Act i. Sc. 1.

Now, by two-headed Janus, Nature hath framed strange fellows in her time. -The Merchant of Venice. Act i. Sc. 1.

Now, by two-headed Janus, Nature hath framed strange fellows in her time. -The Merchant of Venice. Act i. Sc. 1.

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. read more

If this were played upon a stage now, I could condemn it as an improbable fiction. -Twelfth Night. Act iii. Sc. 4.

Can one desire too much of a good thing? -As You Like It. Act iv. Sc. 1.

Can one desire too much of a good thing? -As You Like It. Act iv. Sc. 1.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

Palsied eld. -Measure for Measure. Act iii. Sc. 1.

I would give all my fame for a pot of ale and safety. -King Henry V. Act iii. Sc. 2.

I would give all my fame for a pot of ale and safety. -King Henry V. Act iii. Sc. 2.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.

All impediments in fancy's course Are motives of more fancy. -All 's Well that Ends Well. Act v. Sc. 3.