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The selfsame heaven That frowns on me looks sadly upon him. -King Richard III. Act v. Sc. 3.
The selfsame heaven That frowns on me looks sadly upon him. -King Richard III. Act v. Sc. 3.
No profit grows where is no pleasure ta'en; In brief, sir, study what you most affect. -The Taming of the read more
No profit grows where is no pleasure ta'en; In brief, sir, study what you most affect. -The Taming of the Shrew. Act i. Sc. 1.
One Pinch, a hungry lean-faced villain, A mere anatomy. -The Comedy of Errors. Act v. Sc. 1.
One Pinch, a hungry lean-faced villain, A mere anatomy. -The Comedy of Errors. Act v. Sc. 1.
All things that are, Are with more spirit chased than enjoy'd. How like a younker or a prodigal The scarfed read more
All things that are, Are with more spirit chased than enjoy'd. How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and embraced by the strumpet wind! How like the prodigal doth she return, With over-weather'd ribs and ragged sails, Lean, rent, and beggar'd by the strumpet wind! -The Merchant of Venice. Act ii. Sc. 6.
Smooth runs the water where the brook is deep. -King Henry VI. Part II. Act iii. Sc. 1.
Smooth runs the water where the brook is deep. -King Henry VI. Part II. Act iii. Sc. 1.
And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, read more
And telling me, the sovereign'st thing on earth Was parmaceti for an inward bruise; And that it was great pity, so it was, This villanous saltpetre should be digg'd Out of the bowels of the harmless earth, Which many a good tall fellow had destroy'd So cowardly; and but for these vile guns, He would himself have been a soldier. -King Henry IV. Part I. Act i. Sc. 3.
All the world 's a stage, And all the men and women merely players. They have their exits and their read more
All the world 's a stage, And all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard; Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans everything. -As You Like It. Act ii. Sc. 7.
My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The read more
My meaning in saying he is a good man, is to have you understand me that he is sufficient. -The Merchant of Venice. Act i. Sc. 3.
