The wearer knowes, where the shoe wrings.
[The wearer knows best where the shoe pinches.]

The wearer knowes, where the shoe wrings.
[The wearer knows best where the shoe pinches.]

As he cobbled and hammered from morning till dark,
With the footgear to mend on his knees,
read more

As he cobbled and hammered from morning till dark,
With the footgear to mend on his knees,
Stitching patches, or pegging on soles as he sang,
Out of tune, ancient catches and glees.

Him that makes shoes go barefoot himself.

Him that makes shoes go barefoot himself.

But from the hoop's bewitching round,
He very shoe has power to wound.

But from the hoop's bewitching round,
He very shoe has power to wound.

. . . And holding out his shoe, asked them whether it was not new and
well made. "Yet," read more

. . . And holding out his shoe, asked them whether it was not new and
well made. "Yet," added he, "none of you can tell where it
pinches me."

To one commending an orator for his skill in amplifying petty
matters, Agesilaus said: "I do not think that read more

To one commending an orator for his skill in amplifying petty
matters, Agesilaus said: "I do not think that shoemaker a good
workman that makes a great shoe for a little foot."

The title of Ultracrepidarian critics has been given to those
persons who find fault with small and insignificant details.

The title of Ultracrepidarian critics has been given to those
persons who find fault with small and insignificant details.

A cobbler, . . . produced several new grins of his own invention,
having been used to cut faces read more

A cobbler, . . . produced several new grins of his own invention,
having been used to cut faces for many years together over his
last.

Cinderella's lefts and rights
To Geraldine's were frights,
And I trow
The damsel, deftly read more

Cinderella's lefts and rights
To Geraldine's were frights,
And I trow
The damsel, deftly shod,
Has dutifully trod
Until now.