The primary function of a theater is not to please itself, or even to please its audience. It is to read more

The primary function of a theater is not to please itself, or even to please its audience. It is to serve talent.

Theatergoing is a communal act, movie going a solitary one.

Theatergoing is a communal act, movie going a solitary one.

In the theater the audience wants to be surprised but by things that they expect

In the theater the audience wants to be surprised but by things that they expect

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends read more

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.

For my part, I confess I seldom listen to the players: one has so much to do, in looking about read more

For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.

The theater needs continual reminders that there is nothing more debasing than the work of those who do well what read more

The theater needs continual reminders that there is nothing more debasing than the work of those who do well what is not worth doing at all.

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for read more

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.

It's one of the tragic ironies of the theatre that only one man in it can count on steady work read more

It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.