The center of the stage is where I am.

The center of the stage is where I am.

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for read more

We are in the black theater of nonexistence. In an eye blink the curtain is up, the stage ablaze, for the vast drama of ourselves.

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They read more

To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends read more

The virtue of dress rehearsals is that they are a free show for a select group of artists and friends of the author, and where for one unique evening the audience is almost expurgated of idiots.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

It's one of the tragic ironies of the theatre that only one man in it can count on steady work read more

It's one of the tragic ironies of the theatre that only one man in it can count on steady work -- the night watchman.

I believe that in a great city, or even in a small city or a village, a great theater is read more

I believe that in a great city, or even in a small city or a village, a great theater is the outward and visible sign of an inward and probable culture.

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what read more

No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical read more

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.