Feast of Augustine, Bishop of Hippo, Teacher, 430 Ye have enemies; for who can live on this earth without read more

Feast of Augustine, Bishop of Hippo, Teacher, 430 Ye have enemies; for who can live on this earth without them? Take heed to yourselves: love them. In no way can thy enemy so hurt thee by his violence, as thou dost hurt thyself if thou love him not. And let it not seem to you impossible to love him. Believe first that it can be done, and pray that the will of God may be done in you. For what good can thy neighbor's ill do to thee? If he had no ill, he would not even be thine enemy. Wish him well, then, that he may end his ill, and he will be thine enemy no longer. For it is not the human nature in him that is at enmity with thee, but his sin.

Commemoration of John Mason Neale, Priest, Poet, 1866 For all the vigour of his polemic, St. Paul does read more

Commemoration of John Mason Neale, Priest, Poet, 1866 For all the vigour of his polemic, St. Paul does not content himself with the denunciation of error, but finds the best defense against its insidious approaches in a closer adherence to the love of God and faith in Christ.

Feast of All Saints No doubt the gospel is quite free, as free as the Victoria Cross, which anyone read more

Feast of All Saints No doubt the gospel is quite free, as free as the Victoria Cross, which anyone can have who is prepared to face the risks; but it means time, and pains, and concentrating all one's energies upon a mighty project. You will not stroll into Christlikeness with your hands in your pockets, shoving the door open with a careless shoulder. This is no hobby for one's leisure moments, taken up at intervals when we have nothing much to do, and put down and forgotten when our life grows full and interesting... It takes all one's strength, and all one's heart, and all one's mind, and all one's soul, given freely and recklessly and without restraint. This is a business for adventurous spirits; others would shrink out of it. And so Christ had a way of pulling up would-be recruits with sobering and disconcerting questions, of meeting applicants -- breathless and panting in their eagerness -- by asking them if they really thought they had the grit, the stamina, the gallantry, required. For many, He explained, begin, but quickly become cowed, and slink away, leaving a thing unfinished as a pathetic monument of their own lack of courage and of staying power.

Commemoration of Remigius, Bishop of Rheims, Apostle of the Franks, 533 Commemoration of Thérèse of Lisieux, Carmelite Nun, Spiritual Writer, read more

Commemoration of Remigius, Bishop of Rheims, Apostle of the Franks, 533 Commemoration of Thérèse of Lisieux, Carmelite Nun, Spiritual Writer, 1897 As the genuine religious impulse becomes dominant, adoration more and more takes charge. "I come to seek God because I need Him," may be an adequate formula for prayer. "I come to adore His splendour, and fling myself and all that I have at His feet," is the only possible formula for worship.

The chief pang of most trials is not so much the actual suffering itself as our own spirit of resistance read more

The chief pang of most trials is not so much the actual suffering itself as our own spirit of resistance to it.

Commemoration of Francis Xavier, Apostle of the Indies, Missionary, 1552 Every wise workman takes his tools away from read more

Commemoration of Francis Xavier, Apostle of the Indies, Missionary, 1552 Every wise workman takes his tools away from the work from time to time that they may be ground and sharpened; so does the only-wise Jehovah take his ministers oftentimes away into darkness and loneliness and trouble, that he may sharpen and prepare them for harder work in his service.

Commemoration of Albrecht Dürer, artist, 1528, and Michelangelo Buonarrotti, artist, spiritual writer, 1564 Man cannot make a redemptive read more

Commemoration of Albrecht Dürer, artist, 1528, and Michelangelo Buonarrotti, artist, spiritual writer, 1564 Man cannot make a redemptive art, but he can make an art that communicates what he experiences of redemption as a man and what he knows of it as an artist. God in his infinite wisdom may use an art work as an instrument of redemption, but what serves or can serve that purpose is beyond the knowledge of man.

There is not anything I know which hath done more mischief to Religion... than the disparaging of Reason, under pretense read more

There is not anything I know which hath done more mischief to Religion... than the disparaging of Reason, under pretense of respect and favour to it. For hereby the very Foundations of Christian Faith have been undermined, and the World prepared for Atheism. And if Reason must not be beard, the Being of a God, and the Authority of Scripture, can neither be proved nor defended; and so our Faith drops to the Ground like a House that hath no Foundation.

Form-criticism... has made an end of the false notion, which for a long time dominated critical scholarship, that it was read more

Form-criticism... has made an end of the false notion, which for a long time dominated critical scholarship, that it was possible throughout the gospels to distill from them a "Life of Jesus" that would be free from dogmatic presuppositions and not affected by any "retouching" derived from the faith of the Church. In fact, however, faith in Jesus Christ crucified and risen did not first appear at some later stage in the tradition, but was the foundation of the tradition, the very soil out of which it grew; and it is in light of that faith alone that the tradition can be understood. This faith in Jesus Christ, the Crucified and Exalted One, explains both the things which the primitive tradition makes known to us, with its manifest concern for the factual truth of the tradition about Jesus, and at the same time the peculiar liberty which the evangelists take in making alterations in the record in points of detail. In relating the acts and words of Jesus, they do not refer back to any sort of "archives" possessed by the community... Jesus Christ is not for them a figure of past history whose proper place is in a library.