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I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject read more
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. read more
In my mind's eye, I visualize how a particular . . . sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the read more
The charm, one might say the genius, of memory is that it is choosy, chancy and temperamental; it rejects the edifying cathedral and indelibly photographs the small boy outside, chewing a hunk of melon in the dust.
You know what a camera is? A mirror with memory.
You know what a camera is? A mirror with memory.
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable read more
Photography to the amateur is recreation, to the professional it is work, and hard work too, no matter how pleasurable it my be.
I take photographs with love, so I try to make them art objects. But I make them for myself first read more
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it read more
Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the read more
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
