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To manipulate an image is to control a people
To manipulate an image is to control a people
It is one thing to photograph people. It is another to make others care about them by revealing the core read more
It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.
To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it read more
To me, photography is an art of observation. It's about finding something interesting in an ordinary place... I've found it has little to do with the things you see and everything to do with the way you see them.
I always thought of photography as a naughty thing to do -- that was one of my favorite things about read more
I always thought of photography as a naughty thing to do -- that was one of my favorite things about it, and when I first did it, I felt very perverse.
Blessed be the inventor of photography! It has given more positive pleasure to poor suffering humanity than anything else that read more
Blessed be the inventor of photography! It has given more positive pleasure to poor suffering humanity than anything else that has "cast up" in my time -- this art by which even the "poor" can possess themselves of tolerable of their absent dear ones.
There are no rules for good photographs, there are only good photographs.
There are no rules for good photographs, there are only good photographs.
Photography takes an instant out of time, altering life by holding it still.
Photography takes an instant out of time, altering life by holding it still.
Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic read more
Many pictures turn out to be limp translations of the known world instead of vital objects which create an intrinsic world of their own. There is a vast difference between taking a picture and making a photograph.
There are always two people in every picture: the photographer and the viewer.
There are always two people in every picture: the photographer and the viewer.