Indeed he knows not how to know who knows not also how to un-know.

Indeed he knows not how to know who knows not also how to un-know.

There is apparently some connection between dissatisfaction with oneself and proneness to credulity. The urge to escape our real self read more

There is apparently some connection between dissatisfaction with oneself and proneness to credulity. The urge to escape our real self is also an urge to escape the rational and the obvious. The refusal to see ourselves as we are develops a distaste for facts and cold logic. There is no hope for the frustrated in the actual and the possible. Salvation can come to them only from the miraculous, which seeps through a crack in the iron wall of inexorable reality. They asked to be deceived.

No one has ever had an idea in a dress suit.

No one has ever had an idea in a dress suit.

It is part of the formidableness of a genuine mass movement that the self-sacrifice it promotes includes also a sacrifice read more

It is part of the formidableness of a genuine mass movement that the self-sacrifice it promotes includes also a sacrifice of some of the moral sense which cramps and restrains our nature.

Reality is wrong. Dreams are for real.

Reality is wrong. Dreams are for real.

You affect your subconscious mind by verbal repetition.

You affect your subconscious mind by verbal repetition.

Certes, they been lye to hounds, for an hound when he cometh by the roses, or by other bushes, though read more

Certes, they been lye to hounds, for an hound when he cometh by the roses, or by other bushes, though he may nat pisse, yet wole he heve up his leg and make a countenance to pisse.

It is generally recognized that creativity requires leisure, an absence of rush, time for the mind and imagination to float read more

It is generally recognized that creativity requires leisure, an absence of rush, time for the mind and imagination to float and wander and roam, time for the individual to descend into the depths of his or her psyche, to be available to barely audible signals rustling for attention. Long periods of time may pass in which nothing seems to be happening. But we know that kind of space must be created if the mind is to leap out of its accustomed ruts, to part from the mechanical, the known, the familiar, the standard, and generate a leap into the new.

We often use strong language not to express a powerful emotion but to evoke it in us.

We often use strong language not to express a powerful emotion but to evoke it in us.